Love at First Hiccup (2009) Review:

Growing up and maturing into an adult can bring on a multitude of feelings. Hormones are raging and everything is changing at a faster rate than normal as this process happens. Of course most adolescence experience this as they go through the education system; learning from their parents, friends and their own senses. One particular actor that many could relate to during this period of time was Devon Werkheiser from Nickelodeon’s Ned’s Declassified School Survival Guide. Young adults were proud to be a part of and go through the motions with Werkheiser’s star making show. After the show ended, Werkheiser still had that image of playing a school kid. Here this film plays more into some adult themes which is good, except for how its executed. That’s probably the biggest issue with this production.

Directed by Barbara Rothenborg in their first theatrical film and co-writing with Foren Frellesen, this is actually the remake of a Danish movie of the same name from a decade before. Based on a novel from Dennis Jürgensen, the Danish version actually has several sequels. The story is about a geeky freshman Victor (Devon Werkheiser) having an unrealistic crush on a taken senior in his high school Anya (Scout Taylor-Compton). Anya is with a pompous jock named Peter (Ken Luckey) and is friends with Marisa (Tania Verafield). Victor’s only got his unhelpful buddies Ernie (Nicholas Braun) and Nick (Sean Marquette). Meanwhile, Victor and Anya’s little brothers Zack (Daniel Polo) and Brian (Adam J. Bernstein) play pranks on both their siblings because family stereotypes. Victor’s problem is that he doesn’t have the confidence to talk to Anya, and when he does, he gets hiccups.

At the same time, Anya hopes to lose her virginity to someone she finds truly special. At the moment she’s not sure if Peter’s the one. The biggest red flag in this story is Anya’s character arc. Not sure what the legal age of consent is for the people of Denmark but in the US, a senior in high school, who should be 18, looking to fornicate with anyone younger than them is a no. Why couldn’t Victor and his friends also be geeky seniors in high school? That would be one less counter against this film. The story itself is also fairly cliché. What teen drama hasn’t depicted a down on their luck rejected protagonist that somehow pulls all kinds of stops to get the attention of their ever so out of reach love of their life? There isn’t really much to go into how things occur because a familiar viewer of this genre could guess how most scenes that are set up will go.

It’s unfortunate because there are some interesting actors attached to this project. And because this is a comedy, there is going to be dialog that’s supposed to be funny but not much of it is. Most of it just strange in how it’s executed or just completely nonsensical when thinking about how it makes any logical sense. The characters of Zack and Brian are the worst little brothers and are actually quite crass. Also their moms and dads are even worse as parents. Perhaps the conversations between Victor and Anya’s friends respectively are more in line with what viewers would expect from those particular characters. But the others just seem a little too out there. Despite all this though the cast of actors perform the best they can given the material. Being that Devon Werkheiser came from Ned’s he naturally fit the bill.

Scout Taylor-Compton at the time just got off playing in Rob Zombie’s remake of Halloween (2007) and Halloween II (2009). There’s also appearances from James Eckhouse, Ann Cusack, Octavia Spencer and even Ray Wise, who by far is the most entertaining even if he shows up only once and a while. The cinematography was adequately shot for the production. Handled by Steven Bernstein who also worked on The Waterboy (1998), Monster (2003) and White Chicks (2004), the shots filmed fit the right scene even though it won’t blow anyone’s mind. Lastly the music by Raney Shockne worked for the film too. By no means should any viewer think that a score would be available because it wouldn’t seeing that it’s no blockbuster production. Overall though the cues work with the scenes even if they aren’t memorable.

The actors all do what they can, the music is appropriate for the style of the film as well as the camerawork. Unfortunately, the writing is not strong enough though. The premise is an awkward setup dealing with differing legal ages, the dialog feels a bit out of place and the story itself has been done many times before.

Points Earned --> 5:10

Pokémon the Movie: Genesect and the Legend Awakened (2013) Review:

Not sure exactly what bug bit Nintendo’s Pokémon studio but their string of features during the Unova region just hasn’t hit the mark in entertainment. As mentioned in the previous entry, it seems like things are just on auto-pilot. The stories tend to feel repetitive despite trying to appeal to their current fan base while expanding on the foundation when the anime began. There’s even been callbacks to certain things but it just hasn’t been enough to feel like anything new is really being done. Unfortunately, this entry is very much the same again with only slight variations in different places. It’s possible the production crew thought this story would get more viewers’ attention because it involves a familiar face other than Ash, but that would be the only familiarity.

Once again handled by the Yuyama and Sonoda duo, this film finds Ash, Cilan and Iris headed to another city looking a lot like central park of New York City. Inside the park is a sanctuary where Pokémon of several regions live together. Meanwhile far away a group of 300-million-year-old telepathic Pokémon called Genesect are searching for their home. Thinking the area Ash and company are in reminds them of it, they begin attacking everyone so they can claim it for themselves. At the same time, Mewtwo who can relate to Genesect’s feelings gets involved in the situation too. Really it’s not that good of a story for several reasons. For one, it’s just not engaging. Genesect was apparently resurrected by scientists and no longer trusts humans. See how Mewtwo understands? But even after all that Mewtwo has from its previous experience, it too doesn’t trust or like humans. So no one’s learned anything then.

Let’s also not forget Mewtwo began the whole concept of telepathic English speaking Pokémon (other than Meowth). Genesect is just another copy of those usual things to be expected. Aside from finding their home as its repeatedly mentioned, there isn’t much else to really get behind for these new Pokémon. Making things even worse is how botched Mewtwo is as a character. Upon meeting Ash again, Mewtwo recalls nothing of what it went through with Ash from the first movie or when it crossed paths with Ash after that. Unless this is a new Mewtwo, which makes no sense. Where’s the continuity? So much for Ash promising they wouldn’t forget what they experienced together several movies back. Making things even more confusing is whether this is actually the same Mewtwo from before. Reason being the voice is totally different and Mewtwo can now transform into another form. When did this come about?

There really are more questions now than from before. Miriam Pultro who now voices Mewtwo is okay in her delivery, but because the original performance was different it is very jarring. This also seems to be Pultro’s only voice acting credit to date. The same could be said for Samia Mounts who voices the Genesect who befriends Ash and company. However, voicing the lead Genesect is Scott Rayow who does have experience doing anime dubs before and even in Pokémon. Then there’s Eric who is Ash and friend’s tour guide through the park voiced by Jake Paque. The character is useless as he tries to fix the tech being destroyed by the fighting Pokémon. Somehow he’s the only one working among all other park employees. It’s almost pointless to have this character.

Voice acting in general is fine though as usual. Even Team Rocket gets lines this time, which is cool. Animation was also an equally good looking component. Featuring bright colors and fluid movements there isn’t much that needs correcting either. Cinematography was credited to Tatsumi Yukiwaki in their first Pokémon project although, like everyone before them, no idea what it’s used for. Finally, the music composed by Shinji Miyazaki believe it or not felt a little more noticeable this time. The tracks heard in this feature feel a little more heartfelt despite the connections not fully being there. But like always there was no domestic release so the album is again unattainable locally. One day, maybe one day they’ll get a rerelease. That’s all there is to it though.

Regular components like the animation and voice acting are kept the same. Music even picks up some but the story in general is still bland. Continuity is also very confusing with the changes made to Mewtwo.

Points Earned --> 5:10