Saturday, March 25, 2023

Cocaine Bear (2023) Review:

Like everything in the world, there is a yin to a yang. A good for a bad and a plus for a minus. Even some of most tranquil places can be quite dangerous. Sea or land. Of course, things could always get crazier if something man made or a substance of foreign origin enters the picture too. Apparently in 1985 a situation occurred which kind of describes this premise although not as outlandish as this film that the story was lifted from. But forget the whole foreign substance bit; big or small feral animals in general can be deadly if left unchecked. The bigger the animal though, the more damage. It’s not like the 1980s had less drugs than decades prior but it goes to show you just how potent these materials are.

The real story the film takes inspiration from is actually rather quick in resolving itself as opposed to this film. Nevertheless, it makes one wonder if it’s possible. After trying to evade getting caught with several duffle bags of cocaine, the escapee lands in the wooded area of a national park only to end up getting killed. Meanwhile a wild bear finds the bags of drugs and decides to dive in not knowing what side effects may come about. At the same time, two kids Dee (Brooklynn Prince) and Henry (Christian Convery) decide to skip school and wander off into the same park. Also they don’t tell Dee Dee’s mom Sari (Keri Russell) either. In parallel, the boss Syd (Ray Liotta) wants his drugs and sends his son Eddie (Alden Ehrenreich) and Daveed (O’Shea Jackson Jr.) to retrieve it while detective Bob (Isiah Whitlock Jr.) tries to track them down.

The plot itself is a convergence of character threads all happening to cross paths on this uniquely bizarre journey no one would expect. Writing the screenplay was Jimmy Warden, who previously wrote for The Babysitter: Killer Queen (2020) the sequel to The Babysitter (2017). Naturally, since that was a horror thriller themed film that this would follow a similar path. Considering the story, it’s based on, not being able to control live animals can be scary. And although fantasy horror can be nightmarish, the closer to reality the horror is, usually it is even more scary. That’s one thing Warden definitely doesn’t shy away from. Animal attacks can be very nasty if not stopped. The violence can be over the top at times but other times it is can be hard to watch for some viewers because of the realistic nature of the deaths.

The characters used in the film though are a mixed bag which is the films weakest point. All the actors perform believably but only some actually have charm. Liotta, Jackson Jr. and Ehrenreich seem to have the most chemistry together and funniest moments. Whitlock Jr. is a close runner up along with Ranger Liz (Margo Martindale). However, the kids and mom are not interesting. It also doesn’t help that they’re fouled mouthed kids. It just feels wrong watching youngsters dropping curse words so casually. It’s understood that throughout the decades some kids have poor upbringings but it doesn’t make the children likeable or funny. Directing this feature was Elizabeth Banks, known for also directing Pitch Perfect 2 (2015) and Charlie’s Angels (2019). She also acted in Spider-Man (2002), The Hunger Games (2012), and The Lego Movie (2014).

The camerawork to the film was well put together. Due to the setting taking place mostly outside, the scenes involve lots of heavily wooded areas covered in trees and dense shrubbery. Heading this was John Guleserian who also shot for About Time (2013) and more recently Candyman (2021). The only aspect that is obviously CGI is the bear itself. There’s just no good way of hiding it. However, there was that movie Grizzly (1976) where an actual bear was filmed. So it’s not like it wasn’t an option. Lastly the film score was composed by Mark Mothersbaugh, who is a rather appropriate choice. Accounting for the fact that this film took place in the 1980s where Mothersbaugh got his fame, it makes sense. Much of the score consists of synthetic beats and tunes that give it a different sound while incorporating more organic orchestra when needed. Mothersbaugh has proven his skill with other scores to films like The Adventures of Rocky & Bullwinkle (2000), Herbie Fully Loaded (2005), Hotel Transylvania (2012) and The Lego Movie (2014).

In terms of incidents it’s not so farfetched like something the sci-fi channel would produce and it has better production value. The bear is obviously fake and the main characters are a bit unappealing. However, there is some fun to be had in the carnage, musical score, cinematography and the supporting characters.

Points Earned --> 6:10

Wednesday, March 8, 2023

Totally Spies! The Film (2009) Review:

Animation has two big market hubs; which are the United States and Japan. The sheer volume of animated projects that have come out are numerous and have been dubbed all around the world. On the other hand, they are not the only regions to produce animation. They just happen to produce the most popular properties to be distributed. For children’s animation there was moment in the early 2000s where French productions had made a splash and that was with the Totally Spies! TV show. Taking a modern spin on what seems like Charlies’ Angels, James Bond and making the main characters high school students became quite successful over in North America. The show would have five seasons until a film was greenlit for the franchise. That’s pretty good considering 

The plot to the feature film is an origin story to how everyday high schoolers Clover (Andrea Baker), Sam (Jennifer Hale) and Alex (Katie Griffin) end up joining WOOHP (World Organization of Human Protection) under the coercion of boss Jerry (Adrian Truss). Apparently he’s had his eyes on the ladies for some time making sure they were made of spy material. Once brought on board they are to figure out what is happening to various well known people being snatched up and disappearing. Before that their last known appearance was getting a trendy hairstyle once worn by Fabu (Joris Jarsky), a famous model. At the same time, the three high schoolers have to manage their normal lives after moving to Beverley Hills High and being bullied by Mandy. It seems like a lot for these heroines to take on, but for those following the show, everyone will know they’ll handle it.

Written by Michelle and Robert Lamoreaux who worked on the TV show, it’s no surprise that the movie more or less feels like an extended episode or three-part pilot episode put together in one. In terms of story, it’s really doesn’t break away from the standard structure that has been used in the show. This is good, but perhaps the one thing the writers missed out on was actually giving the three main characters a little more internal struggle at the beginning. Essentially how these three meet are joining forces by happenstance. And it was by luck that all three females ended up getting along really well and were able to make each other’s quirks fit the strengths of their team efforts. It’s true that sometimes people just click instantly but the film establishes this very quickly almost to the point where it feels rushed. It would have been interesting to see if they initially needed to get used to each other’s personalities before developing the dynamic fans know them for.

Direction was headed by Pascal Jardin in his first theatrical credit although he did direct episodes of Redwall. Co-directing was Seok-hoon Lee which this seems to be their first English film too. Much of their credits are in the Korean market. In terms of acting the voice cast continue to give the same kind of enthusiastic performances they give in the show. Andrea Baker, Katie Griffin and Jennifer Hale all have great chemistry with each other and their line deliveries along with Adrian Truss. Their characters have been well established at this point since the show but even for those just being introduced, should enjoy the characters’ charms too. Truss has voiced characters in Rolie Polie Olie, Griffin has played voices in the Totaldrama series, and Hale has had many roles in video games like Mass Effect.

For visuals the animation looked like it had a better budget than its TV counterpart. There’s more detail to the backgrounds and characters which makes them look sharper. It would seem the production took place either fully or partly in Korea with the co-director and Eddie Mehong as the animation supervisor and Wang Yup Kim serving as the animation co-director. Lastly the musical score was composed by Maxime Barzel and Paul-Étienne Côté as their first theatrical credit. For what is heard, the music sounds okay but very stock. There is actually an album release but this time, it’s an EU exclusive. Like all of Pokemon’s Japan albums. It seems to work for the scenes put on screen but there isn’t anything really unique about it. The TV show theme doesn’t even pop up anywhere in the run time which is rather disappointing. Oh well.

As an origin story to the three spy girls, it is a fun introduction to the well-known TV show. The actors all remain consistent, the animation looks good along with the action and comedy. Just don’t expect any real strong initial development between the main cast or any compelling music.

Points Earnned --> 7:10