It's really something when a franchise begins its second
trilogy. While many critics had found only the first Police Academy (1984) a
mixed bag, the later sequels earned even less stellar opinions. Yet somehow,
the series continued to push onward. While Police Academy 2: Their First
Assignment (1985) was more or less retreading the same ground, Police Academy
3: Back in Training (1986) stepped back up to the plate for some fun. The cause
of this was more of having the original cast learning new skills, which
reminisced more of the first film. Here, the story is now putting them in the
trainer shoes. All because of an idea their ever so absent minded commander had
one day out of the blue.
"Excuse me miss, you remind me of Kim Cattrall" |
Written by Gene Quintano, who also penned the prior entry,
was the sole writer for this film. The story begins with Commandant Lassard
(George Gaynes) having the brilliant thought of making relations better between
the police and public by having a new program involving both. The program is
called Citizens on Patrol (COP - how clever), and it would allow citizens to
actively partake in making sure crime isn't committed. Seeing it as a lousy
decision, Captain Harris (G.W. Bailey) returns with Proctor (Lance Kinsey) to
fill in for Lassard as he makes his way to London to promote the concept.
Meanwhile, it's up to Mahoney (Steve Guttenberg), Hightower (Bubba Smith),
Jones (Michael Winslow), Tackleberry (David Graf), Hooks (Marion Ramsey),
Sweetchuck (Tim Kazurinsky) and assorted others to make sure COP succeeds.
So the plot itself is really not very different. If anything
the premise feels all too familiar because it's more or less a soft version of
the first movie, which encouraged regular citizens to participate in the police
academy. Here though, citizens do not become police officers but instead act
more as like a subdivision of the department. The only new feeling is that now
the original cast members are the ones doing the training, but that's where it
ends. Jim Drake as the new director was okay, but there were scenes that felt
too padded. What does work in the script's favor are the homecoming of familiar
faces and jokes. Having G.W. Bailey come back for another entry was great
because he was after all the first antagonist in the series. Plus, seeing him get
acquainted with Steve Guttenberg's character brings back fun antics.
Although not all the jokes induce laughter, there are some
better than average moments. One being actress Billie Bird who plays Mrs.
Feldman, a charismatic old woman who enjoys the thrill of being a police
officer. She produces some good laughs but she's literally one of very few new
recruits in the COP program that stand out. The only other character that is a
new addition and develops another character is Laura (Corinne Bohrer). While uneasy
at first she develops a soft spot for the reformed gang member Zed (Bobcat
Goldthwait). Aside from this though, no one else is really has development.
There is however an appearance from a young Sharon Stone and a debut
performance from David Spade.
Zed & Laura |
For cinematography, Robert Saad shot for the film. While he
provided additional photography for the first film, he really took over in the
last sequel, which was shot differently. The same could be said here. There are
scenes that are filmed in the city, but Saad also captured shots from the sky
and it's impressive. Figuratively and literally, Saad has visually taken the
series to a new height. Music has enjoyably remained the same, with another
score composed by Robert Folk. The main title theme is always jolly and the
rest of scenes work where they should. Now, all that is needed since the first
film are the scores released for all the sequels that came out.
Points Earned --> 6:10
No comments:
Post a Comment