Animated films are no small industry as it once was. After
Pixar and Dreamworks hit it big with their films in the late 1990s, several
more studios jumped in to try and compete. The thing was though, many were
competing for the same demographic. That demographic was more family friendly
than anything else. Only recently has the film industry seen an interest in
making more adult related animated features for theaters to distribute. A film
that would come to mind would be Sausage Party (2016). That though was in the
genre of comedy, which needed an R rating. However not all adult films need to
be rated R. A perfect example would be this feature film.
Rag doll # 9 |
The story here is about a rag doll labeled number 9 (Elijah
Wood), who wakes up in a strange setting. His surroundings consist of a massive
wasteland, only to discover other rag dolls like him with other numbers. Number
8 (Fred Tatasciore), 7 (Jennifer Connelly), 6 (Crispin Glover), 5 (John C. Reilly),
4 & 3 are silent twins and 2 (Martin Landau), all led by 1 (Christopher
Plummer). Even Alan Oppenheimer has a small role. The difference is, 9 found a
green glowing piece that seems to be important. Unfortunately, none of them know
what its purpose is for. To their dismay, this isn't their only problem. The
dolls are also being hunted by mechanical predators made from animal parts that
are seeking though take their lives.
The script was penned by Pamela Pettler, the same writer
from Tim Burton's Corpse Bride (2005) and Monster House (2006). Seeing that, it
is quite obvious where the darker elements to the film came from. For an
animated film, the premise to this is far grimmer than some may think. The post-apocalyptic
setting is refreshing and horrifying (in a good way) at the same time because
how unexpected things are depicted. There is death shown and it's not exactly
hidden from the viewers' eyes. Credit needs to be given for Shane Acker who has
only directed this film. Since then he has been a previsualization artist for
other projects like Total Recall (2012) and 47 Ronin (2013).
What doesn't work in the script's favor is the logic behind
it. There's a kind of science that is used in this film that doesn't go into
great depth. Sure, this film is a fantasy, but even so the idea behind the plot
is bizarre. The time at which this takes place doesn't seem anywhere near the
current day. The same could also be said for the purpose of the plot. The dolls
have a reason for being there, but once it is revealed, it's questionable as to
how it'll help. It's really not clear at all, but the voice actors behind the
characters make up for that. All of them have moments that feature them in a
way so the audience gets a chance to relate and understand the dolls.
"Noppppe......doesn't look dark enough for me....." |
The animation to this film was well done. While it is
unclear how cinematography assisted in this project, Kevin R. Adams was the
director of photography. Aside from this, he has remained in the art
department. The animators behind the film though did a great job. The rag dolls
are expressive and the antagonists they come across are also quite intriguing
to watch in their movements. The music however was even greater with its sound.
Composed by Deborah Lurie, the score has fantastic sounding music that works
well with the action, horror and more emotional moments. She has also composed
for Dear John (2010) and Footloose (2011). Luckily for her, a score was
released to show just how good she is.
Points Earned --> 7:10
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