In the world of movies, many know of the main genres that cover all kinds of stories. But like anything else, there’s always sublevels to these groups which can be broken down even further into their own genres. These genres are not the ones people either readily know about, have access to or is spoken of. An example of this are films produced from “The Asylum”. Their reputation has become known for either making cheap knock offs or making cheap sequels to popular mainstream blockbusters. There are people who actively invest their time into those films. The same could be said for films made by Lloyd Kaufman under the Troma Entertainment banner. In a way, it’s just another acquired taste like the previous company mentioned earlier. And although Kaufman was directing films a decade or so before this movie, it was this that got people’s attention.
The story written by Kaufman and Joe Ritter in his first credit is about the fictional town of tromaville located on the outskirts of New York. The town is filled with polar opposite citizens; those who have common sense and others who literally do the most absurd things no reasonably sane person would ever do. Among them all is Melvin Junko (Mark Torgl), a loser pool boy at the local health club. He’s by no means socially equipped to navigate through such an environment and is easily bullied. One day after a group psychotic adults play a practical joke exposing him to toxic waste, he transforms into The Toxic Avenger (Mitch Cohen) and voiced by Kenneth Kessler. Now having superhero strength, Melvin takes it upon himself to rid the evil in his town of Tromaville. The film was also directed by Kaufman and Michael Herz, who collaborated with Kaufman on a few previous projects.
What works in the movie’s favor is the tone audiences will experience from the execution. It’s a simple plot about a discarded protagonist whose misfortune seen to others, turns out to be the best thing that could have happened to him. While out on his crusade Melvin crosses paths with a blind girl named Sara (Andree Maranda) and soon develops a connection. Its cliché but seeing the protagonist earn the respect from someone is something anyone would want. Does that mean the acting and characters well rounded? Absolutely not. Except for Melvin and Sara, no other character has redeeming qualities or resembles that of any regular human being. The way the actors play them and the way they’re written are bizarre caricatures of what someone having no idea how a real person would behave.
It’s very strange to watch but that’s partially the appeal because it is so out there. Of the adults that badger Melvin, Julie (Cindy Manion) and Wanda (Jennifer Babtist) are the women of the group who have the most reprehensible interests. Topping it off though are their partners beating up grannies in the street who are rightfully named Slug (Robert Prichard) and Bozo (Gary Schneider). How more obvious can a movie be with how serious they want their audience to take these characters? It’s ridiculous and stupid to watch. Surprisingly, many of the actors in this feature didn’t move on from it. The only two to kind come away with a career was Patrick Kilpatrick and Pat Ryan. The rest kind of dropped off shortly after. Adding to that are the violence and special effects.
This is mostly the reason why Troma Entertainment got more attention. Many of the films before were strictly adult. But somehow this found a wider release. There’s plenty of blood and gore for those who love it despite not being a horror film. The camerawork by James A. Lebovitz was acceptable. Some of the not so hidden things within the filming process were not even noticeable and the action sequences are decently put together too. Lloyd Kaufman also assisted in this work. Finally, the music behind this movie was mediocre at best. There was no soundtrack unfortunately to get the full experience. There is a recurring theme for the Toxic Avenger…and it sounds familiar, but can’t pinpoint it. There’s other original songs sprinkled throughout the movie making it clear this is from the 1980s, but nothing that’ll be a real ear catcher or sung by any popular artists.
This is by no means a great film. The characters and the acting behind it is so outlandish it’s beyond realistic. Music wasn’t that memorable either. Yet with that said, the way the simple story is executed along with good effects and camerawork make this worth a watch even if it wastes time.
Points Earned --> 6:10
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