Lloyd Kaufman and Michael Herz are not directors of Oscar awards caliber due to their version what they consider entertainment. The kinds of movies they make lean on the edge of soft core pornography with the amount of gratuitous sex involved. This however only amplifies those who enjoy movies in this kind of raunchy genre. Considered among their best work though was The Toxic Avenger (1984). Not because it was deep in any aspect, but because of the pure spectacle the movie created with its limited budget, gory practical effects and simple story of seeing good triumph over evil. It was their way of doing a superhero story in the style they knew best. With that success in viewership, the two felt it was time for a sequel five years down the road. Maybe sticking with one was enough.
The story continues a little time after the events of the first. Melvin Junko now known as Toxi (John Altamura) has rid his home of all the evil from Tromaville. That is until another evil entity enters the picture under the name Apocalypse Inc. headed by the chairman (Rick Collins). In order for the company to take control the last place they need to conquer is Tromaville and they need Toxi out of the way. With that, they trick him into traveling to Japan to find his estranged father. This time, this sequel was penned by Kaufman and now Gay Partington Terry who helped provide additional material to the first film. The second entry isn’t far worse than the first but it is not easy to get through a lot of the time. Continuity is a bit of an issue here.
For one, Toxi’s original love interest Sara (Andree Maranda) doesn’t appear here. Instead, his new interest is Claire (Phoebe Legere), who also happens to be blind. So what was the point of renaming the character? The continuity seems to be unchecked here. Additionally, the story is lacking being that the original film had a basic idea which was understandable and got to the point. This particular entry has less of a story as the main characters are boiled down to one dimensional individuals with no real depth. The Apocalypse Inc. company is just an idea. It has no real weight in the story as the people behind it have no significance either. Again though, this is probably what Kaufman found to work in the original and just amplified it more. Worser still, the run time is unnecessary as the extra twenty minutes pads out the experience.
Scene after scene it feels like things carry on for far too long. Fight sequences drag, dialogs feel like they go nowhere, while car chases go on and on. Either the pacing needed to be sped up or the run time needed to be cut. The acting from the main cast is as campy as one would expect after seeing the original film, which at this point is okay and expected. John Altamura as Toxi looks very much like Mitch Cohen of the first movie. Phoebe Legere as Toxi’s new girlfriend is fine too. Rick Collins as the chairman bares his teeth for almost every scene he’s in. Rikiya Yasuoka who plays Toxi’s father does the same thing by over exaggerating his facial expressions. Helping Toxi find his father in Japan is Masami (Mayako Katsuragi) who is played okay for an actress with broken English.
Believe it or not, this was also the film debut for Michael Jai White who would later play in Spawn (1997). Visually speaking Kaufman kept the over the top gore and practical effects which come into play for this film. It is still quite grotesque and disgusting but that is what gave the first film its charm too, so credit is due there. The camerawork fits in line with keeping the effects realistic but that’s about it. James A. Lebovitz who did an okay job on the first seemed to have missed the mark here. While the some of the settings take place on the streets of Japan, there’s nothing that exciting to see or watch when it comes to the action. Even more interesting is that the music improved a little with the help of composer Barrie Guard actually creating a recurring theme for Toxi but overall, since there is no official score it is still not that noticeable.
While acting and practical effects remain the strongest attributes of the franchise in terms of likability, the rest of the feature is hard to get to the end. Music and cinematography aren’t that special with really bare bones storytelling. Plus, the runtime and pacing make it painfully slow to watch.
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