People have always painted the future as either bleak or
bright. No matter what though, the thought of the future having robots involved
has always been a thing. Whether they’re being used as tools by man to help
them do things or just coexisting, robots will continue to remain as a staple
of the future. However, the idea of using robots to fight in the place of
humans is an even smarter idea seeing that war has plagued mankind for centuries.
If the fight could be isolated to just a single match that would depend on the
success or failure of another party, then the war would be avoided altogether.
This is at least the idea that was brought to life by Stuart Gordon for this
feature and it does have some replay value.
Mecha suits before they were a big deal |
The story by Gordon and script written by Joe Haldeman is
about a group of individuals called Robot Jox in an apocalyptic future. Where
superpowers win wars by having people fight in giant robot suits. Whoever wins,
wins for the place they represent. The premise itself sounds very entertaining
and is an interesting way of settling major combat. Fighting for the Americans
is Achilles (Gary Graham), while Russia is fought by his sworn enemy Alexander
(Paul Koslo). As Achilles enters the end of his contract with his 10th match
coming up, he plans to make it his last. All the while, it seems that important
information is leaking out about secret weapons being used in the robot suits.
Supporting Achilles is his boss Tex Conway (Michael Alldredge) and weapons
developer Dr. Matsumoto (Danny Kamekona).
Gordon's premise for the film is an intriguing and creative
one. Feeling like a test film for Guillermo Del Toro's Pacific Rim (2013), the setup
is almost the same. There are also feels to be inspiration from Japanese mecha
suit animes. To see it performed in live-action though is a completely
different spectacle. This is a separate topic of discussion though. While the
setup looks good, the main cast isn't as magnetic and the story execution is
unfocused. Achilles also meets Professor Laplace (Hilary Mason) who is
developing genetically modified people known as tubies. The one standing out
among them is Athena (Anne-Marie Johnson), where Achilles and her form some
kind of connection. But this is where it ends, because it never goes further
than that.
This unfortunately leaves a couple of subplots left
unresolved and the leads lacking character development. Gary Graham as Achilles
is okay at what he does. But as a romantic lead, not so much, especially when
his co-star looks much younger. Not sure what Haldeman was thinking for the
script on this but he didn't go to write for any other movies after this. Paul
Koslo does make Alexander a fun villain to watch. The visual aspect entertains
too. When Achilles and Alexander are in their robot suits fighting, the stop
motion animation is really enjoyable. Being that it's an older special effect,
it really gives the action sequences much more energy and character. Seeing the
giant pieces of machinery use all kinds of tricks and mechanical weapons looks
great.
"Never thought I'd have such a ridiculous career....." |
These components also go hand in hand with Mac Ahlberg's
cinematography. With other pictures under his belt like Re-Animator (1985),
House II: The Second Story (1987) and Deep Star Six (1989), Ahlberg did a fine
job here too. The mixing between models and actual large scale sets is
practically seamless. Then there's the musical score provided by Frédéric
Talgorn. While Talgorn is not as well known in the mainstream realm, his music
is just as exciting as if he were. Not only does he create a main theme for the
feature, but it's all organic. This is rare considering many composers resorted
to synthesizers during the 1980s. It's very well composed and it helps all the
more bringing in some kind of emotion into the story.
Points Earned --> 6:10
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