Fast cars and racing is usually an exciting activity.
There's lots of energy surrounding the sport and octane only amps it up to
intense levels. That's the kind of feeling a viewer should get when watching a
film related to such an activity. At least, that's what one would think. It can
be confusing when the opposite occurs because it just doesn't seem to fit at
all. In that case someone should have said that to the people behind the
production of this movie. Sadly, the early 2000s was not kind to Sylvester
Stallone who stars in this feature. And this one is quite possibly the reason
why nothing worked out right, because, this film is just boring. Kind of
shocking when it's directed by Renny Harlin, who has worked with Stallone
before.
"Do you think I look believable enough?" |
The story revolves around Jimmy Bly (Kip Pardue), a rookie
racer who's making his way up to the big leagues and may have the chance at
winning the world competition. Managing him from behind is Carl Henry (Burt
Reynolds) and his brother Demille (Robert Sean Leonard). Looking to win as well
is Bly's competitor Beau Brandenburg (Til Schweiger). Both Brandenburg and Bly
begin to lose focus of their goals when they get caught up between one girl,
Sophia (Estella Warren). Noticing the slips, Henry calls in Joe Tanto (Sylvester
Stallone) to get Bly back on track before he ruins his upcoming major break.
The screenplay was also written by Stallone, and whatever he did, did not make
much sense at all. The focus of the story is very much generic and bland.
Aside from this main thread, Tanto also has a subplot going
on about him between an old flame Cathy (Gina Gershon) and a reporter he begins
talking to named Lucretia (Stacy Edwards). Unfortunately, this doesn't really
go anywhere because the old flame already has a new main squeeze; Memo
(Cristián de la Fuente). The biggest issue with this film's story is the
pacing. The movie isn't overly long in reality but majority of it feels like an
eternity. Renny Harlin should know better, but the story just drags. Most of
the main leads do not help in making it any more watchable. The only character
to actually feel worth rooting for is Til Schweiger's character. Partly because
he's the one has an interesting arc, while the others don't. Kip Pardue is as
lifeless as they come and some of his character's decisions make no sense.
It's even worse when veteran actors like Burt Reynolds and
Sylvester Stallone are not even a highlight to the picture. They really have no
charisma to their characters at all, which is sad to see. The love triangle
between the Stallone and Pardue characters are cliché and overdone. It's just
baffling to think this is still a thing. Not even the racing scenes are that
entertaining. While there is some tension on what'll happen to certain
characters, much of it is flat and random. Again, this is disappointing when
Renny Harlin and Sylvester Stallone both have worked together and have done
action before. There are crash and burns, but it has no weight almost all the
time.
Kip Pardue & Estella Warren |
Then again, half the time those scenes weren't very clear
because the editing team on this feature butchered it so haphazardly. There are
scenes in consecutive order where they are different angles of the same shot.
It is bizarre to watch. Thankfully the cinematography shot by Mauro Fiore
looked professional. Fiore who would also be a cameraman for Get Carter (2000),
Smokin' Aces (2006), Avatar (2009), The A-Team (2010) and Southpaw (2015), makes
the scenes filmed look decent enough. This doesn't take away though from
composer BT's stock score to the film. Even if BT has the skills to produce
complex synthesized music, here it's not very prevalent. Oh well BT, maybe film
scores aren't your thing.
Points Earned --> 3:10
No comments:
Post a Comment