Usually when a sequel is made without the inclusion of the
creator of the original, is where things go downhill. Michael Crichton's film
debut with Westworld (1973) was a unique sci-fi / horror film that made its
viewers think about what if technology goes awry. Strangely enough, a sequel
was made to that, but Crichton wasn't even involved. He wasn't even credited
for any of the characters used in his original film! However for this followup,
things seemed to stay intact, which is surprising. The more interesting thing
about this, is how the story played out here compared to the other. The problem
is, it's kind of expected, especially after seeing the trailer to this. But
does that make it bad? Well,...it depends on what makes the bigger point.
Peter Fonda & Blythe Danner |
Worked on by a totally different crew, the story continues
from the events of Westworld (1973) as the new and improved Delos. This time
Delos is being claimed as "Fail Safe" from its new head of the
company Duffy (Arthur Hill). But someone is not convinced and that person is
Chuck Browning (Peter Fonda) a news reporter who covered the disastrous
nightmare that Delos had from the original film. Joining him is Tracy Ballard
(Blythe Danner), another reporter who was looking to take point on the story
Browning was given. Together they are invited by Duffy to tour the new Delos
system and see all that has been changed. While being there and with Browning's
suspicions, they begin digging deeper to find if the company is doing something
they shouldn't.
Written by Mayo Simon and George Schenck who had worked on
separate projects before this actually manage to maintain fairly good
continuity with the original Westworld (1973). While Peter Fonda's character
was not in the first film, he is properly introduced and given a history as to
how he's connected to the past plot. Yet there are two aspects of the film that
don't make a whole lot of sense. The first one being the return of the infamous
gunslinger played by Yul Brynner. The reason why he appears is not clear as to
why and he has no dialog, which comes off feeling more like a gimmick. The
other error in writing belongs to the antagonist of the plot. It's an
interesting direction to take, but the motivation doesn't exactly explain
itself in detail.
It's strange how the thing that attracted people to Delos
were the worlds they could visit. Wasn't it just amazing alone they could build
robots? It seems like director Richard T. Heffron who mainly worked on made for
TV movies didn't have a strong vision on the story's direction. There's also a
subplot about the robots maybe having the possibility to develop feelings but
it doesn't go beyond speculation. The example used in this story is about Harry
(Stuart Margolin), a veteran worker from the original Delos who befriends an
out of service robot named Clark (James M. Connor). The acting in general is
acceptable. All the cast members who participate are as believable as they can
be. Action is one of the things that didn't turn out okay,...it's just very
lame. Nothing out of the ordinary.
Clark,...the man of steel |
As for visuals, the set design looked great. Throughout the
film, it is a definite that all the props and sets used were physically there.
And for some of them, credit is due as to how creative some of the futuristic
things are, like boxing and chess. They even revisit the old abandoned
Westworld set of Delos, which is pretty eerie. Cinematography was handled by
returning cameraman Gene Polito and also Howard Schwartz. Both do a decent job
keeping the look of the film similar to that of Westworld (1973). Then there's
the music from returning composer Fred Karlin. What made Karlin's music
memorable from the original was his use of prepared piano. That's not here but
he does rely on deep pulsing synthesizers and has a main theme for the sequel which
is nice. It's a fair match.
Points Earned --> 6:10
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