Robots have always captured the attention of viewers.
Whether they have a glossy rounded finish or if they're jagged and rusty. It
seems that interacting with these mechanical beings has always been a way for
humans to feel connected to something other than themselves. While self-aware
artificial intelligence is not totally ingrained in the global society, it is
getting there. But what if there was a place where all of this existed already?
Leave it to Blue Sky Studios to develop something like this, which feels like
it went largely forgotten. Considering this was in their early stage of
developing animated films and their only other franchise starter was Ice Age
(2002), that's pretty good. This movie actually makes the thought of a robot
world very fun and exciting if it were to actually be a real thing somewhere in
another universe.
Rodney and Friends |
The story is about average robot named Rodney Copperbottom
(Ewan McGregor), a young enthusiastic inventor hoping to make a difference in
his world, after seeing his mother and father work very hard. His inspiration
comes from a popular celebrity by the name of Bigweld (Mel Brooks) who's
positivity stemmed from helping other robots. Written by David Lindsay-Abaire,
Lowell Ganz and Babaloo Mandel, the script to this feature has a number of
valid points to make when it comes to following your dreams. No matter the
struggle, a goal is a goal, which should be the main focus. Sometimes
sacrifices need to be made to help others. These are morals not only learned
but reaffirmed as well by Rodney's parents (Stanley Tucci and Dianne Wiest).
Along his travels, Rodney also meets other robots Fender
(Robin Williams) and Piper (Amanda Bynes) who live with Aunt Fanny (Jennifer
Coolidge). It's here where more of the comedy ensues, which is fine. However,
there are moments that probably have certain undertones people wouldn't exactly
appreciate now. Examples like cross dressing or characterizing that cross
dressing as "ugly". That and the occasional body humor, like
flatulence. It's okay, but in some ways it's that kind of juvenile humor that
seems unnecessary. Aside from those particular aspects, directors Chris Wedge
and Carlos Saldanha were competent in their roles. Really, the whole moral to
the story is what they get props for, because they kept that as the main focus.
The rest of the characters in this film are fun to watch
too. Working behind the scenes to provide all robots only new parts is Ratchet
(Greg Kinnear) and his mother Madame Gasket (Jim Broadbent). Both of them have
good chemistry with each other as they look to take over Bigweld's company.
There's also Cappy (Halle Berry) who is an assistant to Ratchet, but has a
fairly predictable character arc. There's also voice appearances from Paul
Giamatti, Natasha Lyonne, Dan Hedaya, James Earl Jones, Al Roker, Jay Leno,
Stephen Tobolowsky, Terry Bradshaw and Drew Carey in some small roles. And the
reason why these characters are fun to watch is because everyone who
participated gave good performances.
Ratchet,....yes,...very evil |
From a visual standpoint, the animation was well done for
its time. If it was made now, it's more likely than not that certain things
would have more details to them, but overall it still holds up. What's more
impressive is how creative the studio was in making the robots universe. There
are so many contraptions and mechanical gizmos that make it seem like their
world is so much more entertaining than our current one. For music, composer
John Powell scores the film with much appreciate energy. After working on other
films like Antz (1998), The Road to El Dorado (2000) and Shrek (2001), Powell
has proven his knack for scoring animated films. The music Powell creates is a
great mix of jazzy and classic orchestral compositions.
Points Earned --> 7:10
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