Movies based on true events can be a challenge to make when it comes to keeping the facts straight. Depending on who's making the movie and how much they want to bend the truth, the end result can come out resembling nothing like the narrative that motivated it. Another factor would be how heavily involved the originating source was to the production. With their input, much of the authenticity remains intact. For the story of a filly that got the chance to race in one of the biggest racing cups, the actual horses associated with the event may not be in it but they are represented accurately. For John Gatins, the writer of Coach Carter (2005), Real Steel (2011), Flight (2012) and Power Rangers (2017), this story in particular must have struck a chord with him in some way. Being that this was the only production he directed and wrote simultaneously, this project really must have meant something. Directing and writing is not easy to do. However Gatins seems like he can handle such an assignment.
|"Hmmmm,....I see in your future,...a movie adaptation...."|
Ben Crane (Kurt Russell) is a professional horseman who races horses. At one point he used to raise horses but soon got caught up in the business end of things. His father referred to as Pop (Kris Kristofferson) doesn't speak much to him because of his career change. His wife Lily (Elisabeth Shue) is a hard worker and loves both him and Pop. Above all else Crane's daughter Cale (Dakota Fanning) is the biggest horse enthusiast. Constantly curious and trying to understand what her father is up to, Ben brings Cale to a race track to see a horse by the name of Soñador (Spanish for Dreamer). Although Soñador indirectly was telling Ben she couldn't race, Ben's boss Palmer (David Morse) pushes him anyway. As a direct result Soñador ends up having an accident fracturing her cannon bone. Fearing she may be put down in front of Cale, Ben decides to buy off Soñador from Palmer and nurse her back to health. There after starts a chain of events that leads to bigger and tenser events.
The whole film by itself is something hard to find a problem with. The story is well written, has characters that go through the right kind of development and demonstrate that sometimes it's not always business as usual. If you fight for what you want no matter the length of time, more often than not the odds will favor you. The only part that might seem a bit unrealistic for this movie is when Ben Crane looks into the eyes of his horse and can understand what they're telling him. Okay, it's kind of believable if a person has that much experience with a certain animal but it is also somewhat far-fetched. A step away from that, the script handles the plot well. Kurt Russell as Ben Crane is favorable lead and has a character arc that is rightfully sympathetic. Kris Kristofferson as Pop Crane as the grizzled version of his son is a good anchor for the family. The casting is also spot on because Kristofferson does look very much like an older Kurt Russell to some degree. Out of them though, Dakota Fanning stands out the most.
Having a child actor as the lead can be a gamble sometimes, but Fanning as Cale Crane is an enjoyable young star. Her smile and honest demeanor shows that she truly liked the part she was cast for. She's also the one who drives the story along with Soñador. David Morse as Ben's competitor does a great job at showing just how good of an antagonist he can be. He's not an irritating one, but does know how to get under one's skin in an effective way. David Morse was also in other big name films like The Rock (1996), The Green Mile (1999), The Hurt Locker (2008) and Drive Angry (2011). Rounding out the supporting cast was Freddy Rodríguez and Luis Guzmán as the secondary caretakers to Soñador with Ben and Cale Crane. Both Freddy and Luis in their respective roles added small portions of comedy to help lighten the mood at times. Rodríguez has gone onto participate in more TV shows like The Night Shift and Bull. While Guzmán remains an actor on the big screen being in films like Keanu (2016) and The Do-Over (2016).
|Luis Guzmán & Dakota Fanning|
Even from The Mummy (1999) fame, actor Oded Fehr has a minor appearance as certain character who affects the fate of the main characters. He may not have a lot to say but it's a credible showing. For what's on screen, the cinematography shot by Fred Murphy looks wonderful. Caught on a wide screen aspect ratio, Murphy's work can be really appreciated. Majority of the shots contain green pastures and other rural landscapes. The best shots though belong to the racing scenes, which really capture the beauty of how the horses run and the way they maneuver. Murphy also worked on films October Sky (1999) and Secret Window (2004). Completing the final component for this feature was the film score composed by John Debney. With other family projects to his credit like Spy Kids (2001), Jimmy Neutron: Boy Genius (2001) and The SpongeBob Movie: Sponge Out of Water (2015), this particular genre feels natural. Debney's score is one of those prime examples of how a non franchise film can use a reoccurring main theme that works.
Points Earned --> 8:10