Sequels are difficult to make right especially when their
parent film made such a high impression on its initial fan base. The crew who
made Highlander (1986) were almost entirely against making a sequel because of
how well received the original was. Unfortunately when it comes to film
contracts, it's not so easy go against what is wanted. So that already created
friction between the film crew and the studio itself. Then on top of that,
deciding to drastically make edits to the finished script last minute is never
a thing that's going to roll over well. Nobody was happy with how things were
being changed so frequently and it led to one of the most disappointing sequels
to a promising start up franchise. Many fans considered it to be a lot like
Halloween III: Season of the Witch (1982), where it completely ignored anything
that was setup in the first film. Thankfully over time Mulcahy was able to form
his own cut of the film. It may not be good but it is also not the worst sequel
in existence.
"So,....I thought you died Ramirez?" |
Being written by Brian Clemens, William N. Panzer and Peter
Bellwood, the story has some points that are good, but most of it is completely
deviant from that of the first film. What's even stranger is that both Panzer
and Bellwood had worked on Highlander (1986); producer and writer respectively.
Clemens had certainly enough years of experience to help in the writing process
but it's unknown how much he contributed. The story takes place in 2024 where
the ozone has depleted and shield has been placed around the earth to protect
it from the sun. The person behind this successful project is none other than
Connor MacLeod (Christopher Lambert). However there's a resistance group lead
by Louise Marcus (Virginia Madsen) who believe the shield can be destroyed
because the ozone has recovered. Meanwhile an antagonist by the name of General
Katana (Michael Ironside) is out to kill MacLeod because as the tag line goes,
"there can only be one". This
is the simplest way to describe this and it certainly needs work.
From what is elaborated on, it turns out both Ramirez (Sean
Connery) and MacLeod were sent from another world to earth. This place is where
all of these immortals come from. However with that said, it entirely negates
and washes out any heart Highlander (1986) had to begin with. What was the
point of killing Ramirez in the first film only to bring him back again? Not
that viewers wouldn't want to see Connery again, but his exit was in such
poignant way, it's weird to resurrect him. Having the script explain the
background to MacLeod's situation was fine but it gets lost really fast with
the inclusion of the sci-fi element of ozone depletion and shield use. It just
feels like the wrong genre considering what the first film had established so
well. The script does however reference the history of the first film so it's
not like omits everything, which is why so many people make the claim that it
is the worst sequel. Thankfully the writing for the characters is half there
too.
Christopher Lambert maintains his character's personality
even with the odd story he's given to work with. Sean Connery although having
him return in general is off putting, has a performance that is very affable.
He has a number of good scenes that involve him getting familiar with the new
surroundings of the future. Even Virginia Madsen, who doesn't do a whole lot at
least has a few lines that can grab a viewers attention. On the other hand, all
the villains on screen are way over the top than they should be. Michael
Ironside can be a menacing villain but here he walks around with a wide grin
overacting every line. The same could be said for his henchman. There's also a
subplot about the head of the shield business David Blake (John C. McGinley)
wanting to overthrow the co-creator of the shield, Dr. Allan Neyman (Allan
Rich). McGinley is about as evenly matched to Ironside in this movie. Every bit
of dialogue from this guy was given way too much energy.
Michael Ironside looking like the devil's spawn |
Speaking of energy, the action is also lacking in that too.
For a story about an immortal swordsman, there's only a few scenes that involve
sword fights. Other times its gun fire or not at all. And when these scenes do
occur, they aren't that exciting. Old fashioned action should be though. It's
sad when even that becomes boring. Unfortunately camerawork wasn't all that
impressive this time round either. Captured by Phil Meheux, the shots are
uninteresting. Most likely because the setting is so different from that of the
original. Meheux did however work on The Mask of Zorro (1998), Bicentennial Man
(1999) and Casino Royale (2006). The music was a little better though. Composed
by The Police Band member Stewart Copeland, the score to this film is
unfortunately hard to find but does provide some adequately constructed
material. Even if some of the original themes Michael Kamen created seep into
the cracks as well. That's cheating. Copeland also scored Wall Street (1987)
and Taking Care of Business (1990).
Points Earned --> 4:10
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