With Marvel Studios now seemingly perfected the concept of
making every superhero film fresh and new, several critics continue to bash
Warner Brothers for continuously failing to replicate any of those elements
into their comic book movie adaptations. That's actually hard to fully get on
board with. As much as Warner Brother Studios continues to play catch up with
their rival film studio, they have managed to pull through in certain areas. As
divisive as Man of Steel (2013) and Batman V Superman: Dawn of Justice (2016)
were to many viewers, Warner Brothers has managed to finally establish their
set of shared movie universes. And as much flack as they get for stumbling
along the way, they are persistent, you have to give them that. Now with their
magnum opus here, finally bringing to life famous characters and successfully
uniting them altogether, their end result is just okay. They got Wonder Woman
(2017) right, so how did this turn out to be just okay? It's just a lot when
it's all said and done.
"So,....who's up for round 3?" |
Directed again by Zack Snyder, the plot follows the events
of Batman V Superman: Dawn of Justice (2016) with the death of Superman (Henry
Cavill). Fearing that with Superman gone, earth won't be able to defend itself
from a new evil named Steppenwolf (voiced by CiarĂ¡n Hinds), Batman (Ben
Affleck) gathers Wonder Woman (Gal Gadot), The Flash (Ezra Miller), Aquaman
(Jason Momoa) and Cyborg (Ray Fisher) as backup. There's also a subplot about
the possibility of resurrecting Superman using what is called a "mother
box". According to Wonder Woman, there were three and if all were combined
it would be the beginning of the end. The script was written by Chris Terrio
and Joss Whedon of which both have had their share of successful films. Whedon
is obviously known for leading Marvel's The Avengers (2012) and Serenity
(2005). Chris Terrio was the writer to Batman V Superman: Dawn of Justice
(2016) and Argo (2012). But even with this premise and setup, there are still
problems to be had with the script.
Recurring supporting characters are almost pointless in this
entry, except for a few. Actors like Jeremy Irons as Alfred and Joe Morton as
Silas Stone are used because they are necessary for certain characters.
However, other characters like Commissioner Gordon (J.K. Simmons), Lois Lane
(Amy Adams), Martha Kent (Diane Lane), Hippolyta (Connie Nielsen) and even Mera
(Amber Heard) are all characters that either can be reintroduced or debut for
their first time in a another film. Jamming in all these other individuals
throughout the movie just feel like the producers want everyone to remember
these people exist. Another blunder is the whole cataclysmic plot device that
somehow makes its way into every superhero film. Can there ever be a time where
these kinds of things aren't used in ensemble movies? It's just a really
tiresome setup. Lastly there's the concept of Superman's memory if he were to
be brought back to life. If his memory does remain, how is it that he seems to
remember only certain things?
However even with that said, there are components that do
work in this film's favor. Gone is the dark and and ho-hum atmosphere of Man of
Steel (2013) and Batman V Superman: Dawn of Justice (2016). Now the tone has
shifted to where things are more as one would say, normal. On top of that, the
actors who share the lens together share great on screen chemistry. Momoa,
Gadot, Affleck, Miller and Fisher all have their moments to shine. Momoa and
Miller are really the ones who steal the show; which is impressive. Especially
for Momoa, since Aquaman has always been thought of being the harder superhero
to adapt correctly. Some of their interactions together are based on prior
decisions, while others are analyzed through the time a choice is made at that
very moment. Either way, the dialog held between these individuals are done so
in a way that is enjoyable and lets the audience know that these protagonists
are not serious all the time. Yet when a call to arms is made, this is another
area where this movie shines.
Steppenwolf |
One thing's for sure, Zack Snyder knows how to create action
spectacles and that's no different here. The action is better than his other
efforts because the live-action doesn't look so much like a video game cut
scene. This also in due part to Fabian Wagner's cinematography. Wagner, who has
mostly used his skills on the small screen did an adequate job for this
blockbuster. Many of the shots capture a lot of geography and hardly any of it
is too close to make out. Wagner has filmed for the Game of Thrones and
Sherlock series, and for Victor Frankenstein (2015). For music, the film score
was composed this time by Danny Elfman. Thankfully Elfman really knows how to
make a score work correctly. The drowning soundscapes of Hans Zimmer and Tom
Holkenborg are hardly ever heard here and that's great. The Man of Steel (2013)
theme is heard once but Elfman rightfully reuses John Williams' Superman (1978)
theme and his own Batman (1989) theme during the film. That's classic music and
it works better than anything else.
Points Earned --> 6:10
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