There are just some people in life that seem to have no idea
how to do certain tasks. Yet their profession in life is the exact thing they
cannot do correctly. How does that work? Well it doesn't matter because people
like this exist all the time and sometimes, there are no answers. So the only
way to deal with this matter is to either ignore it or embrace it. When it
comes to bad movies, there's only a select group of filmmakers who can make
ones that are so bad they are good. But occasionally, others make it into this
category solely due to one production they had ever made. For director Amir
Shervan, this feature would be his claim to fame. Yet prior to this film, his
name was not well known. Even with the 29 other credits he had listed under him,
it would be this movie that would bring his name into a conversation. Who would
have thought though that such a ridiculous title would even get anyone's
attention? Nobody probably did, but this is one of those films where that's the
least silliest thing about it.
Matthew Karedas & Mark Frazer |
The premise to this action film is about Frank Washington
(Mark Frazer), a cop who needs help cleaning up the streets. However, the Japanese
gangs that run around are ruthless. So for help, he recruits Joe Marshall
(Mathew Karedas) also known as Samurai. Why? Because he was trained in the way
of the samurai as well as your local urban cop. With that, you have your
samurai cop. Running the gangs are Fujiyama (Cranston Komuro) and his henchman
Okamura (Gerald Okamura) and Yamashita (Robert Z'Dar). The only connection
Washington and Marshall have to Fujyama is Jennifer (Janis Farley), Fujiyama's girlfriend
and business partner. So as to how they get closer to their enemy - it's rather
obvious. The script was also written by director Amir Shervan. With that said,
this gives a clear indication as why things are the way they are throughout the
whole film. There are several things about it that are just hilariously stupid
about it and yet it works in its favor.
The two biggest flaws the screenplay has are the dumb
choices certain characters make throughout the film and the other being the
over the top nonsensical dialogue said between characters. There are so many
scenes that add nothing to the plot or develop the characters. Joe Marshall is
somehow able to convince every single female he meets to sleep with him without
even really saying much. How repressed were these women? Some just flat out ask
Marshall whether or not he wants to fornicate with them. What world does this
take place in? Like this happens in public settings, not your local strip club.
As for the acting performed by Frazer and Karedas, they are okay to laughable
at most. Karedas seems like he can act when he wants, but there are other times
where no emotion exists. Meanwhile Frazer looks like he was on something the
whole time during shooting. There's not a moment where he's serious whatsoever.
I'm just curious if Karedas really saw himself as an actor. He looks more like
a GQ model.
Aside from these two though, the best actor of the whole
cast was in fact Robert Z'Dar. An underrated thespian in general, Z'Dar may not
be in too many big hit films, but he did have way more than the two stars
mentioned before. Being in movies like the Maniac Cop (1988) franchise and
Tango & Cash (1989), he was certainly someone to recognize. Here Z'Dar is
mildly controlled but is in the best shape of his life for this movie. As for
the rest of the actors, Gerald Okamura is known for being in other big budget
films like Big Trouble in Little China (1986), Showdown in Little Tokyo (1991),
The Shadow (1994) and Blade (1998). As for Cranston Komuro, the only movie he's
known for is this one. There is also Melissa Moore playing Peggy, another cop
but her role isn't that significant. Now with acting being mostly on and off,
is there anything to expect from the other components? Some of it yes. The
action sequences and effects are not one of them however. Being that filming
was rushed and edited poorly, almost nothing works.
"I am the best looking in this movie....." |
Many of the action scenes are boring and not that energetic.
Several shoot outs sound as if they were all practicing and not aiming at one
another. Some of the sound effects are not even placed on the right scene with
some noisy shots falling silent. Only the sword duel finale was moderately
entertaining, but nothing else. The cinematography was at least average.
Handled by Peter Palian, a frequent Amir Shervan collaborate, the camerawork at
least provides some sights to this action flick. When it comes to the
backgrounds, especially the ending, audiences will get a clear view of what
surrounds the main characters. When it comes to interior set pieces, they look
okay as well. For music though, that needed some work. Composed by Alan
DerMarderosian, the score sounds almost to that of a Gameboy Color start menu.
It's not bad, but it's association to the story feels mismatched. Plus there
are several times where the music will abruptly cut off when scenes change.
That is never a good thing. Oh well.
Points Earned --> 6:10
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